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Record songs Both for writing solo or recording a band, Live Lite is fast and flexible software. Take your app ideas further Take your sketches from music-making apps further in Live Lite. Make sure you have a Live Lite serial Live Lite serial numbers are included with various hardware devices and apps — find out more here. End User License Agreement. One of the best attributes of Ableton Live Suite, which improves version after version, is the speed and flexibility with which it allows you to capture a musical idea in just a few minutes or seconds.
The Berlin company has earned its popularity among the great DAW software because of how simple and satisfying it is to produce a song, create beats, or improvise in a live session -among many other actions that you surely know. Being a software that has been with us for several years now, what can we expect in the new version of Ableton Live Suite? Without abandoning its minimalist and sharp look, the browser icons are more eye-catching and the transport controls record, play display a slightly larger size.
The most noticeable visual improvement affects the view of arrangements. And there we see that the clips have a flatter and more minimalist look, being highlighted when you select them. In the case of audio clips and with the track enlarged, drag points appear to create cross-fades between clips.
Thus, in one stroke, the fade option in each audio track has disappeared from the automation mode. By taking a closer look at the editing aspects of Ableton Live 10 Suite, manipulation of audio clips is now more immediate and straightforward. Dragging them at one end, while holding down the [Shift] key the old case , will stretch or shrink the audio sample. This is complete offline installer and standalone setup for Ableton Live Suite This would be compatible with both 32 bit and 64 bit windows.
Get Into PC. Ableton Live Suite 10 Free Download. Follow Us. Ableton Live Suite Table of Contents. Download Ableton Live 10 Suite Full Version In Ableton Live Suite 10 there are a great deal of upgrades and updates made in this rendition , for instance, new instruments, impacts, and Packs have been presented and significantly more. Install the software via the setup provided in the. It will activate the software automatically. Primary Download Link.
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This can consist of loops, one-shots or any form of audio recording. That being said, you can drag effects and the like onto these tracks, in order to process and manipulate the audio. This is where the Clip Editor comes into play. You can view individual audio clips on an audio track by double-clicking on one.
The tracks require an instrument e. Ableton Operator to be loaded onto them in order for the programmed MIDI notes to tell it what to play. For example, you might want a piano sound, but drawing in a couple of notes would only get you half way.
You have to load in a virtual piano instrument for those notes to result in sound. You could then change the instrument to any sound — a synth pad, a bass, or even a sampler.
For this reason, MIDI tracks are ideal for expressive composition, whereas audio tracks are great for arranging and manipulating. When creating MIDI clips, you also get access to the editor and piano roll, which has a similar interface to the clip editor. Warping allows you to adjust the timing and pitch of an audio clip exactly how you want to.
Ableton Live comes with a variety of warp modes, each designed to stretch the audio in different ways:. One of my favorite feature sets of Ableton Live is the included devices and sounds that come included with it. I actually recommend people who get Live not to download any plugins before trying them out. These are found in the Browser under the respective categories and can be loaded in by double-clicking, or clicking and dragging. Click on the linked resources to find out more about each of these powerful devices!
Ableton Live comes with a great selection of samples and clips available for you to use especially in Suite. Ever worked on an idea, but you only like a particular loop with some effects and processing on it? Of course, many of you are going to want to be adding your favourite synths, samplers, and effect plugins to make music with. After that, you should have plugins show up!
Depending on the plugin, they may show up organized by the manufacturer, or just come up under the list. In Ableton Live, instruments will have a little keyboard icon next to the plugin name, and effects will have a blank box. Audio Production Basics with Ableton Live. Eric Kuehnl. Anna Lakatos. Customers who bought this item also bought. Ableton Live 10 Power! Jon Margulies. Ronan Macdonald. Ashley Hewitt. The 3-Space Reverb Framework: Learn the step by step system for using reverb in your mixes.
Nathan Nyquist. Mastering Multi-Band Compression: 17 step by step multiband compression techniques for getting flawless mixes. Search for global treasures with live shopping experiences.
Amazon Explore Browse now. Customer reviews. How customer reviews and ratings work Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. We measure amplitude in decibels dB.
The decibel is a logarithmic unit that is used to describe a ratio of sound pressure; as such, it does not have a linear relation to our perception of loudness. As the amplitude of pressure variations increases, the sound becomes louder. An increase of approximately 10 dB is required to produce a perceived doubling of loudness. By way of example, the amplitude of ordinary conversation is around 60 dB. Increasing the amplitude to 70 dB would essentially double the loudness; increasing amplitude to 80 dB would double it again, quadrupling the original loudness.
Recording and Playing Back Analog Audio The task of a recording microphone is to respond to changes in air pressure— the waveforms, frequencies, and amplitudes that make up a sound—and translate them into an electronic output that can be captured or recorded. A microphone functions as a transducer, converting acoustic energy into an electrical current. The continuous electrical signal produced by a microphone is an alternating current with a waveform, frequency, and amplitude that directly corresponds to, or is analogous to, the original acoustic information.
This electrical signal is thus considered to represent analog audio. If this continuous analog signal is captured on traditional recording media, such as magnetic tape, it can be played back by directly translating the electrical waveform, frequency, and amplitude back into analogous variations in air pressure through the means of an amplifier and a loudspeaker.
Converting Audio to Digital Format Before you can record or edit with Ableton Live, the analog audio electrical signal relayed by a microphone, guitar pickup, or other device must be translated into digital numeric information binary data. This conversion is necessary so that the signal can be stored, read, and subsequently manipulated by a computer.
The Importance of Sample Rate Sampling is the process of taking discrete measurements of an electrical signal at various moments in time. Each measurement, or sample, is a digital representation of the signal voltage at that instant. Played back in succession, these samples approximate the original signal, much like a series of photographs played back in succession approximates movement in a film or video.
The sample rate is the frequency with which these digital measurements are collected. Nyquist Theorem A fundamental law of analog-to-digital conversion, commonly referred to as the Nyquist Theorem, drives the sample rate required for digital audio. If the sample rate is any lower, the system will read the incoming frequencies inaccurately and produce the wrong tones. In concept, this is much like the effect seen in early motion pictures, where a wagon wheel will appear to rotate backward due to the low frame rates being used.
In digital audio, the false tones produced by this type of frequency distortion are known as aliastones. Minimum Sample Rate Because the range of human hearing is generally accepted to be 20 Hz to 20 kHz, the Nyquist Theorem tells us that a sampling rate of at least 40 kHz twice the upper range of human hearing is required to capture fullfrequency audio.
Most professional digital recording devices today offer sample rates of at least The digital information on an audio CD is stored at a standard sample rate of The Importance of Bit Depth Computers use binary digits called bits 0s or 1s to represent each sample measurement that is collected. The number of bits used for each sample is referred to as the binary word length, or bit depth.
The more binary digits included in the bit depth, the greater the accuracy of each sample measurement. The relative amplitude or loudness of each sample is quantized, or rounded to the closest available whole-number value within the word length. The range of numeric values available for each sample at a given bit depth is equal to 2 to the nth power 2n , where n is the number of bits in the binary word.
By way of example, consider a 4-bit binary word. This word length can represent only 16 different amplitude levels As such, a 4-bit binary word would record audio using only 16 discrete amplitude levels.
By contrast, a bit digital word could represent 65, discrete amplitude levels , creating a much more continuous dynamic response. A bit digital word could define more than 16 million discrete amplitude levels Larger binary words are able to quantify variations in amplitude with much greater accuracy. Therefore, a bit audio file will always more accurately reflect the dynamic range of the original sound than its bit counterpart. Thirty-two-bit floating-point files represent discrete amplitude levels in the same way as bit files.
The 8 additional bits provide exponent biasing and allow for headroom above fullscale bit audio. By multiplying the word size by six, you can estimate the useful dynamic range of a fixed-point system. In theoretical terms, the dynamic range or signal-toquantization noise ratio increases by approximately 6 dB for each bit added to the binary word length. Minimum Bit Depth The useful dynamic range of speech and music is generally considered to be from 40 to dB.
This would require at least 11 bits in the binary word. To provide an adequate dynamic range to minimize the impact of the noise floor at the low end of the spectrum, and to allow a healthy amount of headroom at the high end, Ableton Live uses a minimum word length of 16 bits.
Greater bit depths can be used to increase precision and accommodate a wider dynamic range. Sample Rate, Bit Depth, and File Size A consequence of files with higher sample rates and greater bit depths is the higher storage capacity required to record them. Higher sample rates increase the storage requirement. At 96 kHz, each minute of bit mono audio requires about 11 MB of storage space.
Increasing the bit depth has the same effect. Stereo files require twice as much storage space as mono files, since each file includes two channels of audio left and right.
The process of converting from digital to analog and back to digital can introduce distortion and degrade the original signal. Digital Transfers To prevent audio degradation, unnecessary conversions should be avoided. Keeping audio information in the digital domain while transferring between machines or devices will retain its sonic integrity with no discernible signal degradation.
Digital Audio Connections On the rear panel of many audio interfaces are connections for accomplishing digital transfers. Ableton Live Configurations The requirements for your digital audio recording projects will determine the edition of Ableton Live that you will need to use.
This book focuses on Ableton Live Standard software features. All Ableton Live editions are available for both Mac and Windows operating systems. Ableton Live Intro vs. Ableton Live Standard vs. Ableton Live Suite Throughout this book, we use the term to refer generically to all available software Ableton Live editions and the terms, and, to to refer Intro Ableton Live Ableton Live Suite Ableton Live Standard specifice ditions of Ableton Live software, where needed for differentiation.
Audio Interface Options An audio interface provides the analog-to-digital conversion required for recording to Ableton Live, as well as the digital-to-analog conversion required for playback from Ableton Live to your analog speakers or headphones. You should consider a mid-range interface if you need more than just a couple of channels of input and output.
These interfaces offer as many as 64 channels of input and output to accommodate the largest recording configurations. Most Ableton Live controls, tools, procedures, and menus are similar on both systems.
There are, however, some differences in keyboard commands and file-naming conventions that can impact your work when moving between different platforms. Keyboard Commands Many keyboard commands in Ableton Live use modifier keys, which are keys pressed in combination with other keys or with a mouse action. Modifiers and other equivalent keys can have different names on each platform. Table 1. File Name Extensions For cross-platform compatibility, all Ableton Live files in a project must have a three-letter file extension added to the file name.
Ableton Live Set files use the. WAV files have the. Name and describe four types of production tasks that Ableton Live can be used for. What is the frequency range of human hearing? What does the frequency of a sound wave affect in terms of how we perceive the sound? How is frequency measured? What does the amplitude of the sound wave affect? How is amplitude measured? How does the sample rate of a system relate to the frequency of audio it can capture?
What is the name of the law that specifies the relationship between sample rate and audio frequency? How does the bit depth of a system relate to the dynamic range of audio it can capture?
How can you estimate the dynamic range of a system? What are some common digital connections available on audio interfaces? What type of connector jack does each use? Name some audio interfaces that are available for use with Ableton Live. To review additional material from this chapter and prepare for certification, see the Ableton Live Study Guide module available through the Elements ED online learning platform at ElementsED.
Exercise 1 Selecting Your Audio Production Gear Activity In this exercise, you will define your audio production needs and select components for a home studio based around Ableton Live software. By balancing your wants and needs against a defined budget, you will be able to determine which hardware and software options make sense for you. Duration This exercise should take approximately 10 minutes to complete. This budget should be sufficient to cover all aspects of your initial needs for basic audio production work.
Keep in mind that you can add to your basic setup over time to increase your capabilities. Use the table below to outline your basic requirements and to serve as a guide when you begin shopping for options. Place an X in the appropriate column for your expected needs in each row. Do not include MIDI gear in this table, as we will address that separately. This exercise assumes that you own a compatible computer with built-in speakers for playback.
Do not include a host computer in this table. Identifying Prices Your next step is to begin identifying prices for equipment that will meet your needs. Using the requirements you identified above as a guide, do some Internet research at an online music retailer of your choice to identify appropriate options for each of the items listed in the table below. If you find that your budget is not sufficient to cover the total cost, you will need to determine which purchase items you can postpone or consider bundle options.
On the other hand, if you have money left over in your budget, you can consider upgrade options. It reviews the Ableton Live software components and installers, as well as the file structure used for Ableton Live Sets. It also introduces the basic user interface for the software and reviews menu operations.
The second half of this lesson provides an overview of the main views in Ableton Live. This chapter presents an overview of basic Ableton Live operations and functions. You will be introduced to the filing structure that Ableton Live uses for its Sets and backups, the steps required to start up an Ableton Live system, and the primary elements of the main Ableton Live views. Target Systems Although most of the concepts discussed in this book are applicable to all Ableton Live systems, the book is specifically written for Ableton Live While any Ableton Live system can be used with this book, certain menus, commands, and functions may differ from one configuration to another.
Additionally, Ableton Live Suite users will have access to various features and devices that may not represented in this book. Because many users will be new to Ableton Live 10, new features introduced in Ableton Live 10 are generally identified as such in the text. All descriptions are based on the user interface and functionality in Ableton Live If you purchased a boxed version of Ableton Live or Push, your registration code will be included in the box.
If you purchased a digital download of Ableton Live from a reseller, your registration code can be found in your confirmation email. If you purchased Live through Ableton. Go to Ableton.
You will be taken directly to the product registration page shown in Figure 2. Figure 2. The Account page will appear, displaying a Licenses pop-up near the top.
Software Installation and Operation Ableton uses separate installers for each version and edition of Ableton Live. Each Ableton Live installer also installs a variety of included software devices providing additional functionality.
Ableton uses the term version to differentiate numbered versions of the software such as Live 9 or Live Ableton uses the term edition to differentiate between the different flavors of Live, such as Intro, Standard, and Suite. To access the installers for Ableton Live, do the following: 1.
The Account page will appear. Generally, the most recent Ableton Live installer is shown by default. If necessary, you can click on the pop-up menu next to Licenses and choose an alternate version of Ableton Live. Included Devices and Packs Devices are special-purpose software components that provide additional signal processing and other functionality within Ableton Live.
Ableton devices come in three varieties: instruments, audio effects, and MIDI effects. Other digital audio workstation software such as Pro Tools, Logic Pro X, and Cubase use the term plug-in for the processors used on a track. Ableton uses the term device to describe the built-in processors included with Live, and the term plug-in to describe optional third-party processors in VST or AU format.
Ableton Live Intro comes with a small set of Ableton devices. Ableton Live Standard adds an instrument and a variety of audio effects. While Live Intro offers just the essentials, more than 46 audio effects are included in Ableton Suite! Ableton MIDI effects devices are also quite varied and include arpeggiation, chord creation, velocity and pitch manipulation, and several more. Live Intro offers a basic set of instruments, including percussion devices Drum Rack and Impulse , a basic sampler Simpler , and a device for organizing and controlling instruments Instrument Rack.
Live Standard offers the same set and adds the External Instrument device that can be used to integrate hardware synthesizers or drum machines into your setup.
In addition to those mentioned above, this set includes an analog synth Analog , an FM and additive synth Operator , a wavetable synth Wavetable , a full-featured sampler Sampler , and many more. To access the installers for Ableton Live packs, do the following: 1.
Scroll down past the Ableton Live application installers until you see Packs. Once the pack has downloaded, double-click on the installer. The Ableton Live application will automatically install the pack on your computer.
Installing Packs in the Ableton Live Application Users running Ableton Live 10 and later have the ability to download and install packs directly from inside of the Ableton Live application. To download and install packs inside the Ableton Live application: 1. Set Show Downloadable Packs to On by clicking on the toggle display.
Close the Preferences window. The Browser is discussed in detail in Chapter 5 of this book. The display will switch to show the packs that are available to download and install.
Click the triangle next to Available Packs at the top of the content pane the NAME column to see the packs that are available in your account. See Figure 2. Click the download arrow next to the desired pack. The pack installer will begin downloading to your computer. Each edition offers a different feature set, with the Intro edition offering a limited feature set, the Standard edition offering the full set of key features but a limited number of devices, and the Suite edition adding the full collection of Ableton devices, including Max for Live.
The smaller collection of devices in Intro can also be a limiting factor, but many users will opt to purchase third-party plug-ins from manufacturers such as Native Instruments and others, so they may not require the Ableton devices. Note that Ableton Live Intro does support video import and export.
The major difference here is the number of included devices and access to Max for Live. The impact these additional features will have on your personal production workflow will depend on your collection of third-party plug-ins. Be sure to consider your long-term goals before committing to a particular edition of Ableton Live. Table 2. But before you create your first Ableton Live document, or Set, it is helpful to understand how the software interacts with the various files that are related to the Set.
Rather than storing a Set as a single file, Ableton Live stores various Set components separately and maintains a roadmap to the files it uses in a Set file. All of the files used for a project are grouped together in a project folder. Additional information on creating Ableton Live Sets is provided in Chapter 4.
File Organization When you create an Ableton Live Set, the system sets up a standard hierarchy for the Set and its associated files by automatically creating a top-level project folder.
This folder contains the Ableton Live Set file filename. When you record, convert, import, or edit material, specific files will appear in each of these subfolders. Project Components The types of files that Ableton Live generates and stores in each folder in the hierarchy are described in the following sections.
Ableton Live creates many of these files automatically as you work on a project, although some are generated by export operations only.
Ableton Live creates this file along with various subfolders inside a project folder of the same name. Set files created in Ableton Live are recognizable by their. The Set file contains a map of all the tracks, audio files, video files, settings, and edits associated with your project. You can easily copy and rename Set documents, allowing you to save alternate versions of a project without changing the source audio. This folder houses a configuration file that contains important project information and uses a.
You will not need to modify this file when working with Ableton Live. This folder will contain the 10 most recent prior saves of the Set. Backups are enabled in Ableton Live by default. There is no way to disable this feature or change the frequency or number of backups. Samples Folder The Samples folder is where imported and recorded audio clips are saved while working with Ableton Live. You may not see the Samples folder when you first create a new Set. This folder is created only when you record audio or you collect files for export.
When you record audio into an unsaved Ableton Live Set, each recording is initially stored in a Temp Project folder. Once the Set is saved, the files are moved from the temporary location to a folder inside the Samples folder titled Recorded. When transferring projects between systems, be sure to copy over the entire top-level project folder in order to include all associated audio files and other material needed for the project.
When you import audio or video files into Ableton Live, the imported files are not automatically copied to the Samples folder. This makes it easy to archive the project and open it again at a later date. Exported MIDI files can be recognized by their. Starting Ableton Live Because Ableton Live systems are often comprised of both hardware and software, preparing your system for use might involve more than simply turning on your computer and launching the Ableton Live application.
The larger the system, the more important it becomes to follow a specific startup sequence. Starting components out of sequence could cause a component to not be recognized, prevent the software from launching, or cause unexpected behavior. The recommended sequence for starting any computer—based audio system is as follows: 1. Start with all your equipment including your computer powered off. Turn on any external hard drives that require external power and wait about 10 seconds for them to spin up to speed.
Turn on your audio interface if not bus powered. Wait at least 15 seconds for the audio interface to initialize. Start your computer and launch Ableton Live. Turn on your audio monitoring system, if applicable. Many audio interfaces get their power from the computer via a USB port or other connection ; these interfaces do not need to be powered up in advance.
When you first launch Ableton Live, the application will prompt you for authorization. Authorizing Live Ableton Live software uses copy protection, as do many other software products and plug-ins.
The Ableton Live license is intended for a single user. However, Ableton permit you to install the Live application on up to two computers belonging to the registered user. The first time you launch Ableton Live, an authorization dialog box will appear Figure 2. To authorize Ableton Live with Ableton. COM from the authorization dialog box; your computer will automatically open a browser and take you to the Ableton website.
Log into your Ableton. This may take few seconds, during which time you will see a progress bar near the bottom of the authorization dialog box. Once the authorization is complete, you will get a confirmation message. Click OK to begin using Ableton Live! To authorize Ableton Live offline, do the following: 1. The offline authorization dialog box will appear. Note the hardware code or save it to a text file by clicking the SAVE button.
On a computer with Internet access, log into your Ableton. This will take you to the Authorize Offline page. Transfer the. Double-click the. Accessing Connected Audio Devices When Ableton Live launches, it will generally be configured to use the default audio device on your computer. If no supported audio device is found, Ableton Live will launch with the audio engine turned off.
Sample Rate Settings The Sample Rate setting will affect the quality of the audio that is going into or out of your system through a connected audio interface. The Sample Rate setting will also determine the sample rate of audio files that result from recording on an audio track. A higher sample rate requires more processing power than a lower sample rate, and will reduce the number of tracks and plug-ins you can run on a particular computer.
For this reason, many producers prefer to work with sample rates of 44, and 48, Latency Settings The Buffer Size setting in the Audio tab of the Preferences dialog box controls the size of the hardware buffer. This buffer handles processing tasks such as plug-in processing. As a general rule, the Buffer Size should be set as low as your project will allow, in order to minimize latency when monitoring an active input. You may need to change the setting later as your project becomes more complex.
Reducing Latency on Tracks with an Active Input Ableton Live offers an additional option for reducing latency on tracks with an active input.
However these tracks may be out of sync with other tracks in your set, such as Return tracks. Enabling this setting turns off delay compensation for inputmonitored tracks. Modifying Performance Settings Adjustments to the Sample Rate and Latency settings can be made in the in the Audio tab of the Preferences window, as follows: 1.
Click OK. The Ableton Live Menu Structure Before beginning to work on an Ableton Live Set, you should have some basic familiarity with the software interface, including the menu structure and views. Among the first things you see upon launching Ableton Live is the menu system across the top of the screen.
Learning how the menus are organized will save you a lot of time when you are trying to find a specific Ableton Live function. Following is a brief description of each menu. File Menu File menu commands let you create and maintain Ableton Live Sets and perform other file-based commands. The File menu includes options for opening, creating, and saving Sets; exporting audio, video, and MIDI; installing packs; and managing files. Edit Menu Edit menu commands allow you to edit and manipulate the media in your current selection.
The Edit menu includes options for cutting, copying, and pasting; duplicating, deleting, and renaming; splitting, consolidating, freezing, and quantizing; and performing similar operations. Create Menu Create menu commands generally result in the creation of new tracks in Ableton Live. View Menu View menu commands affect the display within Ableton Live windows and tracks. Most View menu commands show or hide parts of the main Ableton Live windows.
Selecting a command will display a component part of a window, and deselecting the command will hide it. Zoom commands are also included in the View menu. From this menu, you can define MIDI and key mapping, enable delay compensation, adjust launch quantization, change the solo mode, set the time ruler format, and make other similar choices. The Options menu displays independent functions that toggle on or off.
Menu items with a check mark next to them are currently on, or enabled; items without a check mark are off, or disabled. You can also check for Ableton Live updates from this menu. When the first version of Ableton Live was released in , it was the Session View that caught the attention of music producers around the world. There was nothing else like it! Ableton Live 11 Video Manual — Aulart Ableton Live Quickstart Guide — Sweetwater Ableton Live 11 Reference Manual — Reddit Novation Product User Guides Ableton Live User Manual Facebook User Manual MiniFuse 2 — Arturia User Guide — Focusrite Ableton User Guide SB ableton live 10 theming guide — UserManual.
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